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  1. Winning Losing Won Lost Watching Available in aftersale  
    E20, Lot 3: UNITED STATES. AV Indian Head quarter eagle ($2 1/2). 4.17 gm. 18 mm. 1914D. Good Very Fine; luster traces.
  2. Winning Losing Won Lost Watching Available in aftersale  
  3. Winning Losing Won Lost Watching Available in aftersale  
    E20, Lot 5: UNITED STATES. AV Liberty Head eagle ($10). 16.74 gm. 26 mm. Motto above eagle. 1901S. Good Extremely Fine; some luster.
  4. Winning Losing Won Lost Watching Available in aftersale  
  5. Winning Losing Won Lost Watching Available in aftersale  
  6. Winning Losing Won Lost Watching Available in aftersale  
  7. Winning Losing Won Lost Watching Available in aftersale  
    A35, Lot 416:

    UNITED STATES. Paul Revere Sesquicentennial Medal. Silver. 210 gm. 63 mm. Designed by Anthony De Francisci (designer of the US Peace dollar). Issued by the ANS, 1925. Paul Revere standing with his horse looking toward the church steeple where he will hang his lantern to signal the arrival of the British; PAUL REVERE SESQVI-CENTENNIAL 1925 around / Profile left of Paul Revere with symbols of his military service and of his trade as a silversmith; PATRIOT — SOLDIER | SILVERSMITH — ENGRAVER across; 1735 | 1818 in two lines in field; PAUL REVERE around the top. Extremely Fine; toned; (images of the medal on the Smithsonian website show the design detail as relatively low relief, just as this example); rare. The Smithsonian American Art Museum website illustrates this piece in bronze and lead.

    This was the 45th piece struck in the ANS medallic art series. According to Miller (Medallic Art of the American Numismatic Society. A 2015 ANS publication), “at least 65” were struck in silver and 173 in bronze. The medal of an American subject was partly a response to criticism of the ANS for the fact that “many of the medals issued in the preceding years had related to foreigners.” Its unusual appearance with a rounded edge may suggest that it was cast but contemporary references refer to it as struck. Seldom offered, the only sale record I could locate was a silver piece that Heritage sold in 2006 for $184.

  8. Winning Losing Won Lost Watching Available in aftersale  
    A35, Lot 422:

    UNITED STATES. Charles E. Barber tribute medal. AR .999 fine silver medal. 207 gm. 75 mm. Designed by Toivo Johnson. Engraved by Robert Stephan Schaebel. Serial 1261. Struck by the Metal Arts Co. of Rochester N.Y. 1962. Left facing portrait of Theodore Roosevelt wearing a pince nez (light chain hangs down to and across his shoulder) ("HIS SPLENDID MEDALLIC OF THEO ROOSEVELT" as the reverse describes this obverse / An ornate design reflecting the work of CHARLES E BARABER } THE SIXTH CHIEF ENGRAVER OF THE | U.S. MINT | MDCCCXL-MCMXVII in four curved lines at the top. The medal engraver's name in small print to the right and the Medal Arts Co. name and date to left. The design is a rich high relief overview of some of Barber's work: the head of Liberty that made his name the namesake for late 19th and early 20th century American silver coinage,an American eagle with wings spread at the top as on the reverse of his coinage, images of Columbus and Isabella (from the quarter); a five point star with an inscribed scroll; ONE STELLA in the point of the star that aims down. Extremely Fine; a few slight marks on the obverse; the reverse has little, if any, wear because of the incuse design; the edge is nearly perfect with only slight irregularities; the piece is very high relief with an attractive steel gray toning with faint purple highlights (viewed under sunlight).

    Toivo Johnson issued a series of grand medals honoring six great historic engravers: Charles E Barber was one; the others were Euainetos (Greek), James Longacre, Victor Brenner, Christian Gobrecht, and Augustus St. Gaudens.

  9. Winning Losing Won Lost Watching Available in aftersale  
  10. Winning Losing Won Lost Watching Available in aftersale  
    E29, Lot 164:

    IRELAND/COLONIAL AMERICA. Voce Populi coinage. Æ halfpenny. 7.4 gm. 28 mm. 96 grains. 1760. Laureate bust right (Square head) / Hibernia seated left; 1760 below. D&F 570. Nelson 2. Zelinka 4-B. Near Extremely Fine; struck on a broad flan; portrait somewhat soft but without the usual roughness; exceptional lustrous surfaces with a glossy milk chocolate patina. Superb example.

    Voce Populi copper halfpenny tokens: a fascinating and enigmatic copper issue from the mid-1700s in Ireland (and Colonial America?) Voce Populi coppers appear in several references on Colonial American coinage: The Official Redbook, A Guidebook of United States Coins 2017; Breen (1988), Walter Breen's Complete Encyclopedia of U.S. and Colonial Coins; Bowers (2009), Whitman Encyclopedia of Colonial and Early American Coins. Irish references cite them as well: Nelson (1905), The Coinage of Ireland in Copper, Tin and Pewter, 1460-1826; Dowle and Finn (1969), The Guidebook to the Coinage of Ireland From 995 AD to the Present Day. The 2015 Spink Standard Catalog, Coins of Scotland, Ireland and the Islands notes them as "a brief issue of tokens, the 'Voce Populi' series, [that] was produced in Dublin to supply the need for small change" but does not provide a listing of types. They were made by a supplier of buttons to the Irish army, a Mr. Roche of Dublin. Who is shown on the obverse? George II? George III? One of the Jacobite pretenders? The Jacobites were Catholic as were the Irish, so there was sympathy for their cause. The standard reference by Jerry Zelinka was published in the October 1976 issue of The Colonial Newsletter. In addition to background discussion he provides a detailed description of die varieties-12 obverse and 11 reverse-in a listing that is supplemented by a chart showing die combinations. (Unfortunately I am unaware of any reprint of this article.) Did they circulate in Colonial America? Dr. Philip Mossman, authority on American Colonial Coinage and past editor of The Colonial Newsletter who has kindly helped me with background on these pieces, keeps a running total record of pieces found in the US and the Maritimes that could conceivably have come to North America during colonial times. The number is small ("a census of 13, most with a definite east coast recovery history so they well could have arrived as someone's pocket change but not as a shipment"). Ken Bressett, one of the Red Book authors when I asked him at the ANA in Colorado Springs about these pieces in Colonial America, smiled as he suggested no real evidence but no objection if someone felt they should be part of Colonial American numismatic history. That they are fascinating and unusual with a great variety of manufacturing quirks is undebatable.

    –Text from Davissons Auction 37 on this series

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