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  1. Winning Losing Won Lost Watching Available in aftersale  
  2. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 60:

    Nero. A.D. 54-68. Æ cast “sestertius." 22.97 gm. 35 mm. Paduan type. Early cast. His laureate head right, globe at point of bust; NERO CLAVD CAESAR AVG GER P M TR P IMP P P / Nero on horseback right, carrying spear, horseman behind holding standard; DECVRSIO S C. Klawans 3. Near Extremely Fine; handsome red patina; some light underlying corrosion. Particularly fine example.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  3. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 61:

    Galba. A.D. 68-69. Æ cast “sestertius." 23.48 gm. 33 mm. Paduan type or imitation. Aftercast. His laureate and draped bust right; SER GALBA IMP CAES AVG / The emperor standing right on low platform, addressing four soldiers holding standards; officer standing behind emperor; S C to either side, ADLOCVTIO in exergue. Cf. Klawans 2-3 (different dies, obverse legend). Reverse copied from a genuine die (cf. RIC I 462-465).

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  4. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 62:

    Galba. A.D. 68-69. Æ cast “sestertius." 18.8 gm. 33 mm. Paduan type. Aftercast. His laureate and draped bust right; IMP SER SVLP GALBA CAES AVG TR POT / The emperor standing left on low platform, addressing five soldiers holding standards; ADLOCVT S C. Klawans 3 (obverse die), 4 (reverse die). Good Very Fine; pleasing brown patina. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  5. Winning Losing Won Lost Watching Available in aftersale  
    Paduan
    E33, Lot 63:

    Otho. A.D. 69. Æ cast “sestertius." 28.75 gm. 38 mm. Paduan type. His bare head right; IMP M OTHO CAESAR AVG TR P / Bust of Albia Terentia, mother of Otho, right; ALBIA TERENTIA L SILVII IMP MATER. Klawans 7. Good Fine; cast within a broader frame; some damage, repaired with dark green lacquer-like material (particularly on reverse bust). Seemingly quite rare. The only example the cataloger found at auction was the one pictured in Klawans, which has a much broader frame. There are no genuine coins of this type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  6. Winning Losing Won Lost Watching Available in aftersale  
  7. Winning Losing Won Lost Watching Available in aftersale  
  8. Winning Losing Won Lost Watching Available in aftersale  
  9. Winning Losing Won Lost Watching Available in aftersale  
    E29, Lot 164:

    IRELAND/COLONIAL AMERICA. Voce Populi coinage. Æ halfpenny. 7.4 gm. 28 mm. 96 grains. 1760. Laureate bust right (Square head) / Hibernia seated left; 1760 below. D&F 570. Nelson 2. Zelinka 4-B. Near Extremely Fine; struck on a broad flan; portrait somewhat soft but without the usual roughness; exceptional lustrous surfaces with a glossy milk chocolate patina. Superb example.

    Voce Populi copper halfpenny tokens: a fascinating and enigmatic copper issue from the mid-1700s in Ireland (and Colonial America?) Voce Populi coppers appear in several references on Colonial American coinage: The Official Redbook, A Guidebook of United States Coins 2017; Breen (1988), Walter Breen's Complete Encyclopedia of U.S. and Colonial Coins; Bowers (2009), Whitman Encyclopedia of Colonial and Early American Coins. Irish references cite them as well: Nelson (1905), The Coinage of Ireland in Copper, Tin and Pewter, 1460-1826; Dowle and Finn (1969), The Guidebook to the Coinage of Ireland From 995 AD to the Present Day. The 2015 Spink Standard Catalog, Coins of Scotland, Ireland and the Islands notes them as "a brief issue of tokens, the 'Voce Populi' series, [that] was produced in Dublin to supply the need for small change" but does not provide a listing of types. They were made by a supplier of buttons to the Irish army, a Mr. Roche of Dublin. Who is shown on the obverse? George II? George III? One of the Jacobite pretenders? The Jacobites were Catholic as were the Irish, so there was sympathy for their cause. The standard reference by Jerry Zelinka was published in the October 1976 issue of The Colonial Newsletter. In addition to background discussion he provides a detailed description of die varieties-12 obverse and 11 reverse-in a listing that is supplemented by a chart showing die combinations. (Unfortunately I am unaware of any reprint of this article.) Did they circulate in Colonial America? Dr. Philip Mossman, authority on American Colonial Coinage and past editor of The Colonial Newsletter who has kindly helped me with background on these pieces, keeps a running total record of pieces found in the US and the Maritimes that could conceivably have come to North America during colonial times. The number is small ("a census of 13, most with a definite east coast recovery history so they well could have arrived as someone's pocket change but not as a shipment"). Ken Bressett, one of the Red Book authors when I asked him at the ANA in Colorado Springs about these pieces in Colonial America, smiled as he suggested no real evidence but no objection if someone felt they should be part of Colonial American numismatic history. That they are fascinating and unusual with a great variety of manufacturing quirks is undebatable.

    –Text from Davissons Auction 37 on this series

  10. Winning Losing Won Lost Watching Available in aftersale  
  11. Winning Losing Won Lost Watching Available in aftersale  

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