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  1. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 110:

    Tiberius. A.D. 14-37. Æ cast “sestertius." 17.12 gm. 36 mm. Paduan type. Aftercast. His bare head left; TI CAESAR DIVI AVG F AVGVST IMP VIII / Tiberius seated left on curule chair, holding patera and scepter; CIVITIBVS RESTITVTIS. Klawans 4. Very Fine; brown patina.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  2. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 111:

    Claudius. A.D. 41-54. Æ cast “sestertius." 22.64 gm. 36 mm. Paduan type. Aftercast. His laureate head right; TI CLAVDIVS CAESAR AVG P M TR P IMP P P / Spes standing left, extending hand to emperor standing right between two soldiers; SPES AVGVSTA S C. Klawans 4. Very Fine; green and brown.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  3. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 112:

    Galba. A.D. 68-69. Æ cast “sestertius." 21.24 gm. 34 mm. Paduan type. Aftercast. His laureate and draped bust right; IMP SER SVLP GALBA CAES AVG TR POT / The emperor standing left on low platform, addressing five soldiers holding standards; ADLOCVT S C. Klawans 3 (obverse die), 4 (reverse die). Good Very Fine; attractive brown patina. Superb portrait of this rare emperor. (There are no genuine coins of this type.)

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  4. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 113:

    Vitellius. A.D. 69. Æ cast “sestertius." 19.48 gm. 34 mm. Paduan type. Aftercast. His laureate and draped bust right; A VITELLIVS GERMAN IMP AVG P M TR / Mars advancing right, holding spear and trophy; S C. Klawans 4. Very Fine; dark patina.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  5. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 114:

    Domitian. A.D. 81-96. Æ cast “sestertius." 20.42 gm. 34 mm. Paduan type. Aftercast. His laureate bust right, aegis at point of bust; IMP CAES DOMIT AVG GERM COS XII CENS PER P P / Domitian seated left on dais inscribed S P Q Q O S V F P D, giving fumigants to male citizen standing right; child with upraised hands standing to right of citizen; tetrastyle temple in background; PONT MAX TR P VIII LVD SAEC around, S C in exergue. Klawans 4. Good Very Fine; attractive brown patina. Fine example.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  6. Winning Losing Won Lost Watching Available in aftersale  
    E51, Lot 115:

    Hadrian. A.D. 117-138. Æ cast “sestertius." 28.11 gm. 33 mm. Paduan type. Aftercast. His bareheaded, draped, and cuirassed bust right / Galley right, Neptune standing at bow; FELI CITATI A VC in two lines across sail, COS III P P S C in two lines below. Klawans 1. Very Fine; brown patina; scattered small casting bubbles on reverse. A rare and popular type.

    "Paduan" medals are so named after Giovanni da Cavino of Padua (1500-1570), who during his lifetime produced high quality dies to strike imitations and fantasy versions of Roman coins. The dies were passed down through Cavino's family until being purchased by the antiquary to the king of France in the 17th century, 100 years after Cavino's death. It is quite likely that the dies were used in the years between Cavino's death and their sale, and many copies were also cast based on struck originals. Casts were also created using existing casts, these 'aftercasts' generally decrease in quality and fidelity the further removed they become from the original struck examples.

    Whether or not they were made as intentional counterfeits is not conclusive (many scholars argue no). Various examples found their way into serious collections over time, but Zander Klawans's 1977 reference (and the many preceding works by Lawrence and others) mean that they are now rarely mistaken for real examples. Unlike many non-contemporary counterfeits Paduans are historic and collectible in their own right.

  7. In cart, not held Being held Reserved in cart Sold Purchased Watching  
    AS43, Lot 354:

    GREAT BRITAIN. George II. 1727-1760. Copper/copper alloy medal. 11.08 gm. 37.2 mm. Duke of Argyll and Sir Robert Walpole contrasted. The Duke of Argyll, standing with his elbow on a pedestal that holds a crown; implements of war and the flag of St. George behind; THE GENEROUS DUKE OF ARGYLL around above; NO •• PENTIONER below / The Devil, pitchfork in his right hand, leading Walpole with a halter into the mouth of Hell; MAKE ROOM FOR SIR ROBERT around above; NO EXGISE below. Adams & Chao NLa 1-A (page 43). Betts 247. Good Extremely Fine; small bit of edge missing at 4 obverse.

    A similar (but not exact) piece sold in the 2022 Sedwick sale for $2400 plus commission. The metal in that piece was 43.31% copper, 49.31% zinc, 5.31% lead.

    The War of Jenkins Ear

    Admiral Vernon medals were created to commemorate the victories of the eponymous British naval commander in battles that took place between November 1739 and April 1741. The long and complex history of tension between England and Spain eventually came to a head when Spanish privateer coast guards, or guardacostas, boarded a Glasgow ship off Havana in 1731 and allegedly cut off her master's ear, to drive home the point of their anti-smuggling mission. When her captain Robert Jenkins produced his severed ear before Hampton Court in 1739, combined with many other merchant's complaints of lost cargoes and humiliation, the War of Jenkins's Ear was ignited with widespread public support. Admiral Edward Vernon, an experienced naval commander, scored a major military and public relations victory when he took the heavily fortified Portobelo in a single day on December 2nd 1739 with just six ships. This bold action, combined with the tide of positive public opinion, led to the hasty issue of Admiral Vernon pinchbeck medals commemorating the event to capitalize on the moment.

    A thorough and high quality analysis of the history and of the issues can be had in John Adams & Dr. Fernando Chao's 2010 Medallic Portraits of Admiral Vernon, from which this summary is drawn.

 

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Davissons Ltd uses a soft close for its auctions, which means no lot closes until everyone is done bidding. Every time a bid is placed within the final 40 seconds of a lot closing, the timer is reset to 40 seconds. This continues until no bids are placed for 40 seconds, at which point the lot closes. There will never be more than one lot closing at once, as the next lot is not allowed to begin closing until the current lot closes.

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